Live Aid was no fluke – it wasn’t just Queen’s extraordinary talents and musicianship that helped the band steal the entire show. Nor did they turn up the sound monitors.
Freddie Mercury may have been one of the greatest showman lead singers of all time, but it is also Queen’s unique approach to concert and shows that has always set them apart.
A new weekly series of YouTube videos, Queen The Greatest Live, has been exploring the band’s magnificent history while the band itself continues to extend the current globe-spanning Rhapsody Tour with Adam Lambert.
The latest episode dropped today and features Brian May and Roger Taylor opening up on how the band crafted their shows. Scroll down to watch in full.
Taylor also admits the rather surprising truth about their extraordinary catalogue of stadium filling anthems.
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Brian May says: “Set lists are a very interesting case. You have all these songs and everything and what is the optimum way to put them across? Do you just go in there and randomly work your way through where you can and that’s how everybody starts. But wouldn’t it be nice if you can take the audience on a journey and optimize the mood that happens?
“The thing is, you want to quit before they want you to quit, you have to kind of be a little bit ahead of the game and we evolved this kind of shape to a show which is basically come on big. I mean, there are variations of this, but the shape was generally, come on big, give them what they’ve been waiting for.
“They’re full of adrenaline. They want to rock hard, hard, hard. So, the first two or three songs hit them hard in different ways, different tempos, different kind of atmospheres, but all hard rock.”
Roger says: “It’s really you try and make an impact with the first song visual and obviously sort of an aural attack, really. And then you try and space the songs intelligently, but you really want to go bang, bang, bang, bang at the beginning of a show.
“And then the show can just take its normal sort of course and we meander all over the place with different styles of stuff, and then you’ll have a sort of hiatus, a sort of calm spot, which is normally Brian, he’s very good at that. He’ll just have an acoustic guitar at the beginning. We’ll do something on our B stage, which is like right up into the audience, which is much more sort of close contact, you know, and more intimate.”
In the past, these moments would feature Brian and Freddie Mercury’s acoustic sets with classic tracks like Is This The World We Created? and Love Of My Life.
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In the band’s latest incarnation with Adam Lambert, Brian still goes out solo for emotional acoustic interludes and will deliver Love Of My Life, often spine-tinglingly duetting with Freddie on huge video screens.
Brian says: “I don’t know if anyone had ever done that in the way that we did it, but you really take them down to rock bottom because you abandon all your pizzazz and all your sort of dramatic effects and everything.
“At the moment, it’s mainly me that goes out… I have just an acoustic guitar. I’m right in the middle of the auditorium and I’m kind of naked. There is nothing else going on except me trying to be close to the audience. That’s the sort of lowest you go in terms of energy and drama, I suppose.”
After that, Roger explains, it’s time to build toward the epic finale: “And then we’ll go back to the main stage for the sort of big grand run up to the end of the show, which is the sort of quite big numbers, you know, sort of big grand spectacular numbers.”
Brian adds: “And at that moment we have like The Show Must Go On, Radio Gaga, We Will Rock You, We Are The Champions. And you can’t go far wrong with that because you’re building and building and building the whole time, and you’re giving people basically what they’ve come to see.”
Roger reveals: “And it’s as if they were made for that, but they weren’t. But that’s just the way it’s turned out over the years. I think we like to send our audiences home feeling they’ve had a real experience.”
QUEEN THE GREATEST LIVE: WATCH THE FULL VIDEO COLLECTION HERE
